I got "Illinois" on
Information Leafblower's recommendation (via
Karl via a comment thread that started out
about a cat). With Sleater-Kinney at #5, the Decemberists at #9, and Mountain Goats at #11, the list had credibility with me, so I decided to try and buy #1 (Stevens), #2 (The National), and #12 (My Morning Jacket).
"Illinois" is the second of a purported fifty-CD cycle on each of the states; it'll be interesting to see what Stevens comes up with when he hits the states that don't even merit their own guidebooks. Question: is it me, or is track 22 of "Illinois", titled "Out of Egypt..." a direct crib from Steve Reich's 1976
"Music for 18 Musicians"? The problem with buying on iTunes is that one doesn't get the liner notes; google only gives me random blog comments with even less knowledge than I have referring to "Reich influence" and arguments whether it's really Philip Glass-influence. The ex-wife got the complete box set of Reich, but I was able to find my earlier purchase of Mf18M, and, other than a slowly plinking piano in the first minute of the Stevens track (which, unfortunately, is what the iTunes 30-second sample comes from), I'm having trouble placing a difference. (Update: a more precise use of my google-fu finds
Rolling Stone identifying it as an "echo", as well as someone else who
finds the juxtaposition interesting. Also this
interview acknowledging the admiration for the piece—and why am I not surprised that Kieslowski's ten-film "Decalogue" is Stevens's favorite movie?)
I like a couple of tracks quite a bit (especially
"Chicago" and "Come On! Feel the Illinoise!", the best tracks on the CD not stolen from Steve Reich). But for me, the best aspect of "Illinois" is that it provoked me to get around to ripping my Reich to my iPod; I hadn't listened to it for far too long. I don't mean to be completely down on the Stevens; it is growing on me as I listen through a second time. But my idiosyncratic tastes tend to deduct points from concept albums; I'm just not going to listen to an "Illinois" or "Solex vs. the Hitmeister" that demands more attention without doing enough to merit the extra work through its lyrics or music, and has too many tracks that will need to be skipped in Shuffle mode. This is an entirely unfair way to judge an album, I admit, but I rarely seek out music for music's sake: music is what I listen to when I'm reading or exercising or commuting or sometimes when I'm writing.
Side note: it's now so easy to duplicate with electronics what Reich did with musicians acting with utter precision thirty years ago that the jaw-dropping majesty of it probably doesn't register completely today (imagine keeping perfect time with a marimba for an hour, with one slip completely destroying an entire piece, since the phasing is the essence of it). But I have to wonder if the Reich "cover" helped to push "Illinois" to the top spot in the straw poll among bloggers unfamiliar with the earlier work and whose jaws dropped when they heard it for the first time.
This site has Windows Media Player 30-second samples from a 1999 recording of "Music for 18 Musicians." Thirty seconds doesn't do it justice, of course.